Dave sent me an e-mail before he left Everett, to inquire whether we should have a bag of candy, just in case. I had to laugh—every year at the farm, we buy the one token bag of peanut butter cups or Snickers, just in case it’s the year that some brave kid comes up the long private drive and knocks on our door. It hasn’t happened since, oh, about 1987, when our next-door neighbors had young kids. Once they grew and moved away to college, we never got any more visitors on Halloween. Not even from the Gambill family at the end of the road, when Joe’s grandkids got old enough for trick-or-treating (his daughter and her family live with him). Can’t blame the kids… I’m sure they’d rather get a ride to a nice housing development somewhere, and really score some candy!
So after we made some mini-Boboli pizzas for dinner and opened a bottle of red, we each had a couple of mini Snickers bars for dessert, in honor of Halloween.
10.31.2011
10.25.2011
Sunday drives
I did some research today on the best ways to stretch & mount watercolor paper before painting, and it got me thinking again about Dad, his painting, and exploring the backroads. All those Sunday afternoon drives, three little girls in the back of a light blue station wagon, then a black 1956 Bel Air. A window apiece, kneeling on the bench seat to gaze out the back window. Sunset Highway to Issaquah salmon; Maple Valley Highway and Aqua Barn horses, enormous maples lining the road. It was different then, farms and fields so close to our home, we were in the country before we knew it.
As a horse-crazy girl, these drives were heaven. Dreaming about the house I wished we lived in, one surrounded by green pastures, with a horse in the pasture and a cozy barn in the back.
I have to wonder if my dad drove these back roads with an artist’s eye, looking for the next subject for his brushes and paints… just as I’m beginning to. Some of his paintings we recognize… we were there when he painted the shore birds and the wind-swept trees at Beachside state park, the Admiralty Head lighthouse at Fort Casey, and the missing mountain at Tipsoo Lake. But where did he paint the rustic red shack by the railroad crossing sign? Or the grey house surrounded by maples in autumn colors? We will never know.
And what about those regular Sunday afternoon drives? Was this the entertainment they could afford, a family of five on an architect’s salary? Or did everyone drive out into the country in those days? There were no stores open on Sunday, no malls, no grocery stores. Just nature… with open arms.
As a horse-crazy girl, these drives were heaven. Dreaming about the house I wished we lived in, one surrounded by green pastures, with a horse in the pasture and a cozy barn in the back.
I have to wonder if my dad drove these back roads with an artist’s eye, looking for the next subject for his brushes and paints… just as I’m beginning to. Some of his paintings we recognize… we were there when he painted the shore birds and the wind-swept trees at Beachside state park, the Admiralty Head lighthouse at Fort Casey, and the missing mountain at Tipsoo Lake. But where did he paint the rustic red shack by the railroad crossing sign? Or the grey house surrounded by maples in autumn colors? We will never know.
And what about those regular Sunday afternoon drives? Was this the entertainment they could afford, a family of five on an architect’s salary? Or did everyone drive out into the country in those days? There were no stores open on Sunday, no malls, no grocery stores. Just nature… with open arms.
Labels:
Back roads & road trips,
Family,
Watercolor
10.13.2011
Watercolor books part 2 (or is it 3?)
Reading through about 20 watercolor techniques books has given me a pretty good idea of the basics I need to practice and learn. Now I'm learning that not everyone takes the same approach once they get past the basic techniques—washes, wet-in-wet, wet on dry.
For instance, I only saw the concept of doing an underwash in a few of the books. That’s the best way to color reserved areas of a scene, so when you paint over them, the color shows through. For example, a leaf with light green veins. Instead of masking the veins, then painting the light green, it’s easier to do the light green in a wash, then mask it, then paint the dark areas. And the concept of glazing: very thin washes of color repeated many, many times until the color is built up to the painter's satisfaction.
Then there are the endless discussions of what colors to buy. There's a lot of agreement on certain colors, and much disagreement on what colors should always be blended, never used straight from the tube. Greens, for instance. I've seen fascinating chapters on blending greens from the most unlikely colors, pages of tables that show the slight variations possible. This is one topic I'm itching to explore for myself.
The different approaches to painting skies are fascinating. In one of the last books I read, the painter always uses a sepia wash on the sky before he lays in the blues, and his skies are beautiful. Others reserve areas for white clouds dry and wet around them, to reserve the white. Some paint the entire sky in a blue wash, and use paper towels to blot out the white clouds. I’m anxious to try out all the techniques, and decide what works best for me.
Once I get comfortable with how to paint, I can think more about what to paint. Many of the books have practice material, from brush strokes to using sponges and other tools to get different looks. Quite a few have sketches or templates you can use, and instructions on using different techniques to paint them.
I’m trying to be systematic about this... everyone says that watercolor is the most difficult to master, so until I learn the basics I will ignore the little voice in my head that wants me to jump into the deep end of the pool, and start painting.
For instance, I only saw the concept of doing an underwash in a few of the books. That’s the best way to color reserved areas of a scene, so when you paint over them, the color shows through. For example, a leaf with light green veins. Instead of masking the veins, then painting the light green, it’s easier to do the light green in a wash, then mask it, then paint the dark areas. And the concept of glazing: very thin washes of color repeated many, many times until the color is built up to the painter's satisfaction.
Then there are the endless discussions of what colors to buy. There's a lot of agreement on certain colors, and much disagreement on what colors should always be blended, never used straight from the tube. Greens, for instance. I've seen fascinating chapters on blending greens from the most unlikely colors, pages of tables that show the slight variations possible. This is one topic I'm itching to explore for myself.
The different approaches to painting skies are fascinating. In one of the last books I read, the painter always uses a sepia wash on the sky before he lays in the blues, and his skies are beautiful. Others reserve areas for white clouds dry and wet around them, to reserve the white. Some paint the entire sky in a blue wash, and use paper towels to blot out the white clouds. I’m anxious to try out all the techniques, and decide what works best for me.
Once I get comfortable with how to paint, I can think more about what to paint. Many of the books have practice material, from brush strokes to using sponges and other tools to get different looks. Quite a few have sketches or templates you can use, and instructions on using different techniques to paint them.
I’m trying to be systematic about this... everyone says that watercolor is the most difficult to master, so until I learn the basics I will ignore the little voice in my head that wants me to jump into the deep end of the pool, and start painting.
10.11.2011
Searching for geocaching streaks
No, not streaks in my windows (although there are always plenty of those). I've been bitten by the geocaching streak phenomenon and am on the hunt to find another we can do this year, maybe over the long Christmas break.
A geocaching streak is where someone (or a group) find backroads where they can place a cache every 500 feet (the minimum distance allowed by GC.com). They're fun to find, and if you're trying to build up your numbers, or trying to reach a new milestone, a streak is a great way to accomplish this. So while we watched Bones (these are re-runs for me), I opened up the laptop and took a look. One likely place was just north of Seattle, a ton of caches in little lines, but these turned out to be trails. Bummer. They'll be fun to do next summer, but not what I'm looking for. I spotted a short string between Raymond and the turn to Long Beach, but only 20+ caches. Not worth the drive.
But I hit paydirt when I scrolled east along the Columbia Gorge. Not one series, but 6 of them, all around Hood River. The Cook Underwood trail on the Washington side of the river looks fun; these are some of our favorite roads for the MX-5, and there are 133 caches in the streak. All the caches are on one side of the road, and all are 1.5/1.5 to make them quick.
On the Oregon side, there are five series. The longest are the Westside (100 caches and counting), and the Eastside (another 100 caches). Three shorter streaks have 30, 40, and 25 caches. The group that set up these streaks are adding more caches all the time, so by the time we make it to Hood River, we may need to take vacation to get them all... and we're looking forward to doing jus that!
A geocaching streak is where someone (or a group) find backroads where they can place a cache every 500 feet (the minimum distance allowed by GC.com). They're fun to find, and if you're trying to build up your numbers, or trying to reach a new milestone, a streak is a great way to accomplish this. So while we watched Bones (these are re-runs for me), I opened up the laptop and took a look. One likely place was just north of Seattle, a ton of caches in little lines, but these turned out to be trails. Bummer. They'll be fun to do next summer, but not what I'm looking for. I spotted a short string between Raymond and the turn to Long Beach, but only 20+ caches. Not worth the drive.
But I hit paydirt when I scrolled east along the Columbia Gorge. Not one series, but 6 of them, all around Hood River. The Cook Underwood trail on the Washington side of the river looks fun; these are some of our favorite roads for the MX-5, and there are 133 caches in the streak. All the caches are on one side of the road, and all are 1.5/1.5 to make them quick.
On the Oregon side, there are five series. The longest are the Westside (100 caches and counting), and the Eastside (another 100 caches). Three shorter streaks have 30, 40, and 25 caches. The group that set up these streaks are adding more caches all the time, so by the time we make it to Hood River, we may need to take vacation to get them all... and we're looking forward to doing jus that!
10.01.2011
Choosing wine over oysters
It was a tough choice, but we made it. Shelton Oyster Fest with one group of friends, or take Jim & Ruth to DeLille Cellars with us. We chose the latter. We haven't seen Jim & Ruth for too long, and knew they'd love the wines at DeLille. As part of our wine club membership, once a quarter we get a wine tasting for four, and knew we wanted to share it with them.
It was a fun afternoon. We got all caught up on their house plans, the plans for the house at Benson Lake, and of course, work at “the place.” Ruth is still planning to retire end of January.
Because I-405 is closed in Bellevue (they’re connecting the new SR-520 on-ramps this weekend), we took the back way through Issaquah, Redmond, and came into Woodinville from the south. Perfect, since our first stop is at DeLille Cellars. Jim & Ruth haven’t been here before, and they really enjoyed the wine, especially the reds (we thought they would!). We stayed an hour, talking and sampling, then headed to DiStefano. We have wine to pick up, and ended up staying until after closing. We looked around the cellar room where they have tastings and dinners, admired the riddling rack table on the new patio. I’d love to have one; with a glass top it would make a great coffee table. Either flat or as a wall display, wouldn't it be a great way to display my shell collection?
We spent most of our time sitting around a table on the patio, enjoying the sun (although it’s chilly today) and working through the wines. They’re having a fund-raising event tonight, and were busy getting set up for it. They said we were welcome to stay and enjoy ourselves, but eventually we had to leave. We were getting hungry anyway, and chose an Italian restaurant just east of town. We had a reservation for 7:00, and were early, so we sat in the bar and kept right on talking until our table was ready. Dinner was excellent, a bit pricey, but the good Italian restaurants always seem to be. We would definitely come back here.
It was a fun afternoon. We got all caught up on their house plans, the plans for the house at Benson Lake, and of course, work at “the place.” Ruth is still planning to retire end of January.
We spent most of our time sitting around a table on the patio, enjoying the sun (although it’s chilly today) and working through the wines. They’re having a fund-raising event tonight, and were busy getting set up for it. They said we were welcome to stay and enjoy ourselves, but eventually we had to leave. We were getting hungry anyway, and chose an Italian restaurant just east of town. We had a reservation for 7:00, and were early, so we sat in the bar and kept right on talking until our table was ready. Dinner was excellent, a bit pricey, but the good Italian restaurants always seem to be. We would definitely come back here.
9.30.2011
Missing my dad
Last weekend I bought a few watercolor brushes and paints, thinking I’d start to play around with learning the techniques. And when I asked about a case for storing brushes, the clerk showed me a matchstick mat with a cotton lining, individual stitched pockets for brushes, and an elastic tie to hold it closed after rolling it up. And I realized the purpose for the rolled up matchstick placemat that we found with Dad's painting things.
I keep trying to remember more about his art and painting, but the memories are faint. How carefully he packed the army day pack with his supplies, everything in its proper place with no room to spare. Using an old drafting board to mount his paper, instead of a new lightweight masonite board. The way he carefully attached a piece of kraft paper to hang down and protect the painting in progress. I wish I’d paid more attention to how he mixed paints, and the colors he kept in his kit, and what brush types and sizes he had. I wish I’d realized how expensive paper and paints and brushes were, and that maybe the reason he didn’t paint more was because the money went to raising his daughters.
It was during my high-school years that he got involved with Allied Arts, helping to set up their art shows, serving on the board, and submitting paintings. Two of the paintings that my sister has, the shore birds and Tipsoo Lake, I remember winning awards at Allied Arts shows. One of the shows was in the brick bank building in Old Burien, and during the evening, one of Dad’s friends drew a pencil portrait of me (which I disliked, because it was pre-contacts and I didn’t think to remove my glasses). I can’t remember what happened to this sketch; hopefully I have it tucked away somewhere.
My strongest memory of my dad painting is sitting with him while he painted the lighthouse on Whidbey Island, which to this day I persist in calling the Fort Casey lighthouse, not the Admiralty Head lighthouse. This painting is hanging in my living room. I also remember spending an afternoon with Dad and Laurie, sketching a scene along a river (can’t remember where). He said we needed to draw the scene first, then we could paint it. I never made it past the drawing stage.
It’s nice to know that the places he painted live on in those paintings, even though we don’t remember where some of them were. The grey farmhouse that hangs in my bedroom and the red building next to the railroad tracks are surely gone forever, but the lighthouse will always be there. The scenery pictures take me to those places whenver I see them. The shore birds, the windswept trees will always be Beachside State Park. I never visit Tipsoo Lake without thinking about that painting and the missing mountain, and how realistic it is... most of the year, the mountain hides behind the clouds.
I know he was proud of each of us, and loved us, but do you think he was ever disappointed that none of us followed in his footsteps and became artists? Between us we learned so many other art forms, and he was right there with us: sewing, stained glass, batik, photography. I think he would have loved quilting... choosing colors and design and making it all come together would have been right up his alley.
I miss him.
I keep trying to remember more about his art and painting, but the memories are faint. How carefully he packed the army day pack with his supplies, everything in its proper place with no room to spare. Using an old drafting board to mount his paper, instead of a new lightweight masonite board. The way he carefully attached a piece of kraft paper to hang down and protect the painting in progress. I wish I’d paid more attention to how he mixed paints, and the colors he kept in his kit, and what brush types and sizes he had. I wish I’d realized how expensive paper and paints and brushes were, and that maybe the reason he didn’t paint more was because the money went to raising his daughters.
It was during my high-school years that he got involved with Allied Arts, helping to set up their art shows, serving on the board, and submitting paintings. Two of the paintings that my sister has, the shore birds and Tipsoo Lake, I remember winning awards at Allied Arts shows. One of the shows was in the brick bank building in Old Burien, and during the evening, one of Dad’s friends drew a pencil portrait of me (which I disliked, because it was pre-contacts and I didn’t think to remove my glasses). I can’t remember what happened to this sketch; hopefully I have it tucked away somewhere.
My strongest memory of my dad painting is sitting with him while he painted the lighthouse on Whidbey Island, which to this day I persist in calling the Fort Casey lighthouse, not the Admiralty Head lighthouse. This painting is hanging in my living room. I also remember spending an afternoon with Dad and Laurie, sketching a scene along a river (can’t remember where). He said we needed to draw the scene first, then we could paint it. I never made it past the drawing stage.
It’s nice to know that the places he painted live on in those paintings, even though we don’t remember where some of them were. The grey farmhouse that hangs in my bedroom and the red building next to the railroad tracks are surely gone forever, but the lighthouse will always be there. The scenery pictures take me to those places whenver I see them. The shore birds, the windswept trees will always be Beachside State Park. I never visit Tipsoo Lake without thinking about that painting and the missing mountain, and how realistic it is... most of the year, the mountain hides behind the clouds.
I know he was proud of each of us, and loved us, but do you think he was ever disappointed that none of us followed in his footsteps and became artists? Between us we learned so many other art forms, and he was right there with us: sewing, stained glass, batik, photography. I think he would have loved quilting... choosing colors and design and making it all come together would have been right up his alley.
I miss him.
The art of watercolor
A definite bonus of my research into the art of watercolor is getting a better understanding of what Dad went through in order to paint. He painted before the days of nylon packs and lightweight easels, all the multitude of handy bags and carrying straps to make things easier. And his preference for painting out of doors involved a lot of gear: the drafting board, the china plate for mixing paints, the canteen of water. Plus his paints, brushes, towels, paper towels, a folding stool. Everything lugged miles down the beach, or up and down steep hills to get to the perfect spot. I have memories of watching him carefully pack everything into a small canvas pack, each piece in its designated spot with not a bit of space left over.
I have the drafting board, the canvas pack, the army canteen, the stool, the small metal storage box, and the heavy divided plate from Seattle College, before it became Seattle University. The two small brushes didn’t survive the years, but one was a sable brush and must have been treasured. I also have a china palette made for the home studio, a monogrammed weight used to keep his sketches from blowing away, a rectangular plate with round depressions to hold a squeeze of paint, and shallow oblong depressions for mixing. It's crazed and stained. His collection of paints is the most precious to me, because it tells me what colors he preferred to use for his landscape work. Surprisingly, most of the paints are still pliable and could be used.
To my recollection, he never painted at home. Our small house was too small, perhaps... and once there were three small girls running around, there was no safe haven for an artist.
I have the drafting board, the canvas pack, the army canteen, the stool, the small metal storage box, and the heavy divided plate from Seattle College, before it became Seattle University. The two small brushes didn’t survive the years, but one was a sable brush and must have been treasured. I also have a china palette made for the home studio, a monogrammed weight used to keep his sketches from blowing away, a rectangular plate with round depressions to hold a squeeze of paint, and shallow oblong depressions for mixing. It's crazed and stained. His collection of paints is the most precious to me, because it tells me what colors he preferred to use for his landscape work. Surprisingly, most of the paints are still pliable and could be used.
To my recollection, he never painted at home. Our small house was too small, perhaps... and once there were three small girls running around, there was no safe haven for an artist.
9.11.2011
Orangette
I’m reading the best book, by Northwest author Molly Wizenberg. It's called "A Homemade Life," and it's the title that grabbed my attention as I walked into my neighborhood library. The author also has a blog, called Orangette, which has become a daily read (and is bookmarked here on my own blog).
The book is a funny memoir interspersed with recipes, and I hadn't even finished reading it when I bought my own copy (and a couple more for gifts). The book lives on the table next to my bed, and I read a chapter every night before turning out the light. I can hardly wait to try out some of the recipes. Don't these sound scrumptous?
The book is a funny memoir interspersed with recipes, and I hadn't even finished reading it when I bought my own copy (and a couple more for gifts). The book lives on the table next to my bed, and I read a chapter every night before turning out the light. I can hardly wait to try out some of the recipes. Don't these sound scrumptous?
- Dutch Baby pancakes with lemon and sugar
- Roasted eggplant ratatouille
- Blueberry-raspberry pound cake (also good with blackberries)
- Coconut macaroons with chocolate ganache
- Slow-roasted tomato pesto
9.03.2011
Keeping up with blackberries… or trying to
I'm picking blackberries daily right now. They're later than usual, and it's a bumper crop.
From the latest batch I made a free-form pie sprinkled with cinnamon sugar. It was a bit juicy, so it needs modification (maybe more cornstarch in with the berries). Glad I baked the pie inside a ceramic pie plate and not on a cookie sheet as recommended! I scooped servings into bowls and topped each with vanilla bean ice cream... yummy.
The berries are amazing this year. For once we didn’t get a lot of rain, so the fruit is big and dense and has lots of flavor. I made a pie last weekend, and will make another one tonight (probably will freeze it). I’d like to pick enough to freeze several pie’s worth, so we can have blackberry pie this winter.
This afternoon I picked more blackberries and found yet another thing I love about my new refrigerator: the lower pull-out baskets in the freezer are the perfect size to hold cookie sheets full of berries for freezing. How cool is that?
I watered plants, sprayed the volunteer blackberries with Roundup, and scoped out the new “berry” bed next to the chicken coop. I’ll have lots of room for the blueberries, the gooseberry, and the rhubarb with room to spare. Maybe I’ll reserve a long strip next to the coop for raspberries… I’ll have a trellis built by next spring when I can dig plants at Laurie’s.
From the latest batch I made a free-form pie sprinkled with cinnamon sugar. It was a bit juicy, so it needs modification (maybe more cornstarch in with the berries). Glad I baked the pie inside a ceramic pie plate and not on a cookie sheet as recommended! I scooped servings into bowls and topped each with vanilla bean ice cream... yummy.
The berries are amazing this year. For once we didn’t get a lot of rain, so the fruit is big and dense and has lots of flavor. I made a pie last weekend, and will make another one tonight (probably will freeze it). I’d like to pick enough to freeze several pie’s worth, so we can have blackberry pie this winter.
This afternoon I picked more blackberries and found yet another thing I love about my new refrigerator: the lower pull-out baskets in the freezer are the perfect size to hold cookie sheets full of berries for freezing. How cool is that?
I watered plants, sprayed the volunteer blackberries with Roundup, and scoped out the new “berry” bed next to the chicken coop. I’ll have lots of room for the blueberries, the gooseberry, and the rhubarb with room to spare. Maybe I’ll reserve a long strip next to the coop for raspberries… I’ll have a trellis built by next spring when I can dig plants at Laurie’s.
7.28.2011
Blond cats
James is our big American Shorthair cat, and contrary to what you may think, James is a girl cat. When James wandered into our lives, I was listening to the country singer, Jamie O'Neill. Since both had hair with lots of shades of blond, I named our new cat Jamie. It was inevitably shortened to James, but she also answers to Blondie to or Blond Cat.
As long as you rub her tummy when she asks, this cat is content. Here she is, interrupting a session of folding clothes by putting herself smack in the middle, and making sure she's the center of attention. Cats do this so very well...
As long as you rub her tummy when she asks, this cat is content. Here she is, interrupting a session of folding clothes by putting herself smack in the middle, and making sure she's the center of attention. Cats do this so very well...
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